Books
. London and New York: Routledge, 2025.
The Victorian Artist. 3 Volumes. Co-edited with Joanna Devereaux and Alison Syme. Routledge Historical Resources, forthcoming 2026.
The Picture Business: The Inside Story of the Knoedler Gallery and the Origins of New York’s Art Market. Co-authored with Anne Helmreich. Getty Publications, under contract.
Co-editor (with Anne Helmreich), . Manchester and New York: Manchester University Press, Fall 2011.
(Ashgate, 2003).
Digital Project
London Gallery Project, co-authored with David N. Israel, 2007; Revised September 2012.
Articles and Chapters
“Relational Objects: Studio Props and Social Networks in Victorian Painting” The Journal of Pre-Raphaelite Studies 31 (Spring 2022): 39-53.
“‘,” 19: Interdisciplinary Studies in the Long Nineteenth Century 33 (2022). (20pp)
“From Replica to Original: Abraham Solomon and the Market for Modern-Life Subjects,” inNineteenth-Century British Artists' Autograph Replicas: Auras, Aesthetics and Economics, ed. Julie Codell. (London and New York: Routledge, 2020), pp. 183-94.
“Digital Methods and the Study of the Art Market,” co-authored with Anne Helmreich, in The Routledge Companion to Digital Humanities and Art History, ed. Kathryn Brown, London and New York: Routledge, 2020), pp. 167-77.
“Reframing the ‘International Art Market’,” co-authored with Anne Helmreich, in Art Crossing Borders: The International Art Market in the Age of Nation States, 1760-1914, eds. Jan Dirk Baetens and Dries Lyna in the series Studies in the History of Collecting & Art Markets (Leiden and Boston: Brill, 2019), pp. 327-41.
“Networked: The International Art Market in the Nineteenth-Century,” co-authored with Anne Helmreich, in A Companion to Nineteenth-Century Art, ed. Michelle Facos (Wiley-Blackwell, 2018), pp. 83-101.
Five Chronicle Entries (“1854: Modern Life Subjects”; “1859: Sequel Paintings”; “1862: The Paragone”; “1903: The Prodigal Daughter and the Problem Picture”; and “1919: Virginia Woolf and Cocaine”) in The Royal Academy Summer Exhibition: A Chronicle, 1769-2018. Edited by Mark Hallett, Sarah Victoria Turner and Jessica Feather. London: Paul Mellon Centre for Studies in British Art, 2018.
“Reader, Viewer, Spectator, Beholder: Response,” Victorian Studies Volume 59, no. 3 (Spring 2017): 457-462.
“Reflections on Digital Art History,” caa.reviews. June 18, 2015. Translated into Croatian: “Razmišljanja o digitalnoj povijesti umjetnosti” Život umjetnosti 99 (2016): 20-27 () co-authored with Crystal Hall, “Digital Humanities and the Common Good.” Maine Policy Review 24.1 (2015): 124 -131.
“,” Visual Culture in Britain 14, no. 1 (2013): 21-35.
Pamela Fletcher and Anne Helmreich, with David N. Israel and Seth Erickson. “Local/Global: Mapping Nineteenth-Century London’s Art Market,” Nineteenth-Century Art Worldwide 11, no. 3 (Autumn 2012) [ (The first article published in NCAW’s Digital Humanities and Art History series, funded by the A. W. Mellon Foundation.)
“The Grand Tour on Bond Street: Cosmopolitanism and the Commercial Art Gallery in Victorian London,” Visual Culture in Britain, Summer 2011.
“Happiness Lost: William Powell Frith and the Painting of Modern Life,” Nineteenth-Century Contexts 33, no. 2 (June 2011).
“Narrative Painting and Visual Gossip at the Early-Twentieth-Century Royal Academy,” Oxford Art Journal, 2009 32(2):243-262
“‘,” Victorian Studies Volume 51, Number 3, Spring 2009
co-authored with Anne Helmreich, “,” Victorian Periodicals Review 41, no. 4 (Winter 2008): 323-51.
"Virtue, Vice, Sex, and Gossip: Narratives of Gender in Late Victorian and Edwardian Painting," Remapping British Art and Architecture Editors Dana Arnold, and David Peters Corbett. Commissioned for Blackwell; forthcoming.
"," Nineteenth-Century Art Worldwide, Volume 6, no. 1 (Spring 2007).
"Consuming Modern Art: Metaphors of Gender, Commerce and Value in Late Victorian and Edwardian Art Criticism." Visual Culture in Britain, Volume 6 Issue 2, Winter 2005, pp 157-170.
"Masculinity, Money, and Modern Art: The Sentence of Death by John Collier." Eds. David Peters Corbett and Lara Perry (, 2000).